Lindean Mill Glass 40

Lindean Mill glass at 40 - Gallery TEN - Edinburgh Gallery

In 1974 Glasgow historian John Hume photographed a series of derelict stone corn mill buildings on the banks of Ettrick Water in the Scottish Borders.  His images, archived by Historic Environment Scotland show a place in decline – rusting corrugated iron roofs; boarded-up windows; interiors filled with broken furniture and abandoned tools; grounds potholed and overgrown.

Just four years later, in these same buildings, the first hot glassmaking furnace was lit and Lindean Mill Glass was born.    Now, in 2018, the stone buildings are in pristine condition:  carefully restored; set in beautiful gardens and they hum with both people and industry. Lindean Mill has become associated not with grinding corn but with making high quality glass.  This transformation lies in the hands of two exceptional artists and designers – one from USA one from Sweden – and is a testament to the importance of international exchange to Scotland’s culture and economy.

From the exhibition CATALOG introduction by amanda game 2018

Wine Glasses - Studio Range - Gallery TEN - Lindean Mill Glass 40 - 2018

WOOD & TREES Exhibition 2018

Gallery TEN – Edinburgh Festival 2018 Exhibition

A collection of objects, sculpture & functional works made from WOOD. Shown alongside will be pictures which share the theme of TREES. Works by well know and emerging artists, both national & international.

look at the wood and see the trees

Incredible vessels from Pascal Oudet, sculptural works by the late Tim Stead, contemporary Shaker ware from Ian Fraser, furniture by Namon Gaston and Isabelle Moore, panels from Adrian McCurdy and quirky works by Arran Ross and Sid Burnard, all from WOOD.

Paintings and original prints from a collection of well-known artists, designed to complement the objects with a collective theme of the TREE. Including Terry Frost, Patrick Heron, Tom Hammick, David Hockney, John Piper & Scottie Wilson.

 

 

Jason Hicklin

Coming soon –

A collection of Scottish inspired works by the printmaker Jason Hicklin.

“Etching is fundamental to my work; it creates an atmosphere and period of concentration. The act of decision making and commitment to the mark is paramount. The physicality of corrosion, an element of chance which I experienced in the landscape, can be re-engaged with during the etching process. This process, together with the rhythm of a series of prints, again, re-engages me with the walks I have made. The boundaries and limits can encourage improvisation and questioning of the etching process. This is how I work.”

Gallery TEN - Printmaking - Jason Hicklin - Edinburgh Gallery

 

Kristina Chan

Coming soon –

The gallery will be showing for the first time a collection of works by Kristina Chan.

“My works are a culmination and accumulation into site specific history to depict socio-cultural entropic narratives. They explore the correlation between architecture and sculptural landscapes of derelict and disused spaces. I seek sites where the intersection between function and intention have fallen into decline and disrepair, where untold histories recount themselves, in all their brevity, satire, beauty, and collapse.”

Gallery TEN Edinburgh - Stage Right Centre Stage - KristinaChan - Gallery TEN - Printmaking

Matisse – Portraits

In our forthcoming exhibition of Henri Matisse original prints there will be a number of portrait images, some of which are shown below.

ALISON STEWART – painting & collage

Gallery TEN - Alison Stewart - Painting - Collage - Edinburgh Gallery

Workmen collages

Drawing figures at work on building sites or at the roadside was the stimulus for this body of work. Unlike life drawing, my subjects were in constant movement and were involved in a very physically demanding real life activity. These initial sketches were then developed in the studio using collage.  A distillation rather than an overt simplification of forms occurred and this process  suggested interesting and unexpected relationships between the figures.

Tools

The tools depicted here were all collected from my family’s farm so they refer specifically to those that have worked that land for over a century. Although obsolete, old and of no value they have been kept and I wanted to record them. The subject matter is static in nature but it has a latent energy as we imagine or remember using these tools. In contrast to photographic documentation, painting allows me to create a less ‘accurate’ but more personal interpretation of these objects. ‘Tools: rakes, hoes, brooms, shovels. The superb identity, selfhood of things.’ Sylvia Plath

Chairs

The ubiquitous chair is an object that I am drawn to. My husband, Roland Fraser, collects, repairs and makes chairs and we often discuss their specific characteristics, from proportions and patina to anthropomorphic qualities. This work explores the ways an inanimate object like a chair can indicate certain moods or emotions through a variety of treatments from oil paint to collage.

Exhibition runs until the 17.03.18

Henri MATISSE

Matisse - Gallery TEN - Exhibition

Following next at Gallery TEN – HENRI MATISSE (1869 – 1954) – original print exhibition – starting 22.03.18 – print collection including – lithographs, etchings & screenprints………

Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.